(Information)
In July 2026, I wrote a newsletter sharing how much I love pigeons. An edited version is below!

I am obsessed with the pigeons here! I was talking with a human when I saw a pigeon, so I stopped and started talking to the pigeon. Thankfully, she understood exactly who I am and waited for me to finish my interspecies moment. When I become interested (maybe obsessed) in something, I start building an index of facts. Here are a few of my favorite pigeon facts:

  • Pigeons belong to the family Columbidae, which also includes doves; pigeons are the larger of the two, but scientifically, they're the same.



  • Pigeon fanciers have bred all sorts of distinctive pigeons. Fancy pigeons, they are called, and there are so many different breeds. There are over 800 breeds. Look at the frillback with the curls!

  • Pigeons can “assess” art. A 2009 experiment by Shigeru Watanabe showed that “the utterly un-artistic pigeon could be taught to identify ‘good’ and ‘bad’ children’s artwork. How was the pigeon able to perform this feat and why should we care that it did?”

  • Pigeons make milk! It is called crop milk, a secretion from the lining of the parent bird’s crop. The crop is a thin-walled, expanding part of the gastrointestinal tract where food is stored before digestion. Flamingos and emperor penguins also produce crop milk. Both male and female pigeons produce crop milk.




Pigeons Everywhere is a featured [Viewfinder] project on KJR Studios/Kameelah Janan Rasheed’s Gather & Disperse platform. These viewfinders are guided by a desire to expand, extend, and interrogate how my attention has been trained to render some stimuli as signal and dismiss others as noise.

Gather & Disperse (G & D) is an ecosystem for Kameelah Janan Rasheed’s research and archival work. G & D includes special collections of “found” Black vernacular photographs and Black printed matter; research platforms on radical Black educational institutions and Black spiritual movements; infodumps on niche histories such as Eldridge Cleaver’s fashion line and the escape of Penelope the Platypus; and viewfinders that closely read shapes, textures, animals, and typography that we may typically overlook.


studio@kameelahr.com



Kameelah Janan Rasheed ©